“INSURMOUNTABLE JOY” -INTERVIEW WITH OCEAN FLAWS

I chatted with an indie rock band Ocean Flaws from Essex, UK, about new EP, “making it”, Internet oceans, creating songs and few more things. Read whole interview below:

Peter Balkus: Your new EP “Dancing To The Fear” is out now. So let’s talk first about the fear… What kind of fear it is?

Alex Pattle (percussion): “I feel like there’s more of a notion of being driven by fear on this EP, as opposed to succumbing to it; ‘Mojo’ and ‘Silver Screen’ are about seeing people you know going in a certain direction and wanting to break away from that, perhaps out of fear of being lost in the vast field of bands out there, or getting sucked in to the modern, fame-hungry attitude that we see a lot of people around us enveloped by. The title track (“Dancing To The Fear”) sort of concerns fear in a relationship – not knowing where you’re headed or what’s right in that situation, but trying to confront it head on, as opposed to letting it consume you and best you. ‘Like a Fool’ is less directly linked, but it’s about being messed around by people – whether it’s a friend, a partner or even your boss at work, and so although thematically it’s slightly separate from the other songs, tonally there’s still a similar focus on disappointment, which also crops up in the others tracks to some degree.”

PB: You mentioned fear of “being lost in the vast field of bands out there”. That’s very true there is a LOADS of new bands available online. Competition is tight. Is a passion to make music bigger than the fear of being lost in the ocean of new bands?

Alex Pattle: “The passion definitely outweighs the fear, and anything else really – doubt and other difficulties that may arise. At the end of the day, we all harbour dreams of making it ‘big’, some of us since we were kids, but the more you play music (in our experience) the more you discover that there’s an insurmountable joy that comes from writing a song that you yourself actually like, and would buy and listen to as if it were any other artist. That, coupled with the unique feeling of playing with other musicians and particularly getting up on stage and playing in front of people – there’s nothing in the world like it – makes you realise, that’s why we do it; because we love music, and enjoy playing together. Of course we also have the drive to take this as far as it can go, wherever that may be, and we have belief that we can ‘make it’, but the passion for music will always be primary.”

PB: What do you understand by “making it”? Get signed by a major label?

Sean Heaney (guitars): “Everyone has their own idea or assumptions towards ‘making it’ in the music industry. Whether that be getting signed by a major label, going on constant world tours, playing arena / stadium shows or just simply having the luxury of recording and releasing music as and when they please. My idea of ‘making it’, and I’m just speaking on behalf of myself not the other 3, is to have this as a permanent career choice. Where we can wake up and not have the worries of having to make it in on time at an office. We’ll have the freedom to write, record and tour whenever we want without any problems or worries. Not everyone who’s signed to a record label can have this as a permanent career, there’s loads of cases where band members need second, even third jobs to get by. The band will seem like a hobby to them. I’d like this to stop being a hobby and start becoming a career.”

PB:  Your music is interesting and songs are catchy, so sooner or later it should pay off. My favourite song of your at the moment is “Silver Screen”. That song especially, but also other from “Dancing To The Fear”, sounds so Brit-pop and at the same time it sounds so 2016. Is that your plan to combine tradition and freshness in your music? Or it’s not planned and when you create song you don’t know what’s gonna come out?

Callum Quirk (vocals/bass): “Thank you very much, that’s really nice of you to say! Whenever people mention their favourite song off the EP, ‘Silver Screen’ always pops up time and time again. It’s interesting you mention Brit-pop being an influence though, we never set out to sound like or be a Brit-pop band. We all grew up listening to the likes of Oasis, Blur and Pulp and we’ve always appreciated their ability to write huge, sing-a-long choruses, so that aspect of Brit-pop definitely comes into our music. We always try and write the biggest chorus we can for the song. Our main influence in ‘Silver Screen’ we feel came from Foals. When it comes to writing the actual song, we never really plan it out beforehand, typically never works out the way you want it to. We like to get an A section (chorus or intro), jam around on that for a while, then try and see how we can get a B section and so on. It’s always a lot more fun not knowing where you’re going to go in a song beforehand, makes you think more creatively.”

PB: Callum said: “When it comes to writing the actual song, we never really plan it out beforehand”. Does it mean next EP from Ocean Flaws might sound much different than “Dancing To The Fear”?

Hamish (guitars): Well I’d say the fact that we don’t plan it means that we don’t have a concrete idea of how it’ll sound. But, once we get there we’ll try to keep it similar to this EP, because after a few years together, we’ve finally found our sound, and maintaining consistency with that sound is one of the most important things now, in order to be taken seriously.

PB: You are from Essex, UK. Does your music sounds Essex in any way?

Alex Pattle: “I’d say that there’s a culture in Essex that is hard to describe if you don’t know the area, but we don’t really identify with that culture. Even lyrically, we sort of reject that culture to some degree. Maybe best not go in to it (laughs).”

PB: Are you planning to do more live shows or rather focus on working on a new music in studio?

Alex Pattle: “We’d like to balance it I suppose; summer will provide a number of gigs hopefully, we’ve already got one lined up that we can’t talk about yet, but we’re looking to start writing and recording the next song, or EP, whatever it may be, as soon as possible.”

Sean Heaney: “Writing a whole EP drains you creatively, so we’ve only just gotten to the point where we feel we can start writing again!”

Watch their new video to “Silver Screen”:

 

More on their Facebook: Facebook

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NEW MUSIC CHART 14.03.2016

 

newmusic2

 

10 best new songs discovered by Peter Balkus on Tradiio

  1. Valerio Lysander – Cotton

 

2. Francis Dale – Burning

3. Armchair Committee – John The Revelator

4. Empathy Test – Last Night On Earth

 

5. The Hound – Coal

6. D’ALVA – Aquele Momento

 

7. The Poet Junkies – Sick In The Motion

 

8.Dark Horses – Live On Hunger

 

9. The Away Days – Your Colour

 

10. Cambridge Park – First Light

Listen my Top 10  on Tradiio:

https://tradiio.com/playlist/FkGU1hRKo34oB3pFhKifGa/new-music-chart-14032016

 

SONG OF THE DAY – “COLD TO SEE CLEAR” BY NADA SURF

After recently announcing news of their new album, New York alt-rock veterans Nada Surf have unveiled a new video & track ‘Cold To See Clear‘ from the record. ‘You Know Who You Are‘ is dueMarch 4th via City Slang.

The euphoric clip for ‘Cold To See Clear‘, directed by Spencer Gentz, depicts a typical corporate office meeting being transformed into joyful mayhem.

Speaking about the new track frontman Matthew Caws said ‘Cold To See Clear’ is about moments of clarity and light and hope and positivity that sprout up to our surprise. The feeling of awakening you can get in winter when you open the window to see what the air feels like outside, that awakening gives me instant peace at some animal level.

The forthcoming album, ‘You Know You Are’, marks the band’s eighth record in total and fourth for City Slang, It was produced by long-time comrade Tom Beaujour at Nuthouse Recording in Hoboken, NJ. The album marks the band’s first as an official quartet with the core unit – singer/ songwriter/guitarist Matthew Caws, bassist Daniel Lorca and drummer Ira Elliot – joined by Doug Gillard on second guitar. The album is available for pre-order now.

Having recorded five albums in ten years and toured extensively in support of all of them, Nada Surf opted to follow 2012’s ‘The Stars Are Indifferent To Astronomy’ with a brief but well-earned hiatus. And so following this break, in January 2015, when Caws informed Nada Surf’s vociferous facebook following that a new record was just about done, the news was greeted with explosive enthusiasm. The music was in the bag, he announced, and the only thing that remained to be done was to finish up a few lyrics and sing a few vocals; something he planned to do on off-days off during an upcoming solo acoustic tour. Caws even included a photo of the recording set-up he was bringing in the car. 

“I was so eager to have an album done that I believed in it as it was,” Caws recalls. “But the great thing about being ‘finished’ is that you can take a breath and evaluate, because the pressure to ‘do it’ is gone. The more I listened and thought about it, the more I realized that I might want to keep working.” Caws continues. “There were already a bunch of songs in the can that we all liked, so I could think more expansively about what the album could be.” 

Lo and behold, what would have been another really good Nada Surf album (their seventh since getting signed to a major in the go-go 90’s and scoring a worldwide alterna-hit with ‘Popular’) became what could well be the most representative collection of the group’s two-decade career, all while pushing towards whatever comes next. While the band has always had a surplus of horsepower for velocity rockers and an astounding level of confidence live, they’ve been gaining the discipline and finesses to change gears, more so with each release.

Whether it be in the mellow, laid-back glossy vocals of ‘Believe You’re Mine’ or the up-tempo infectectiously catchy drum beats of ‘New Bird’, the new record captures every beloved facet of the band. ‘You Know Who You Are’ also finds much on offer that stands apart from anything previously heard in the band’s diverse catalogue.

“Sometimes it feels like, to our audience at least, we are two or three different bands at once,” Caws concludes. “It seems some people are looking to feel better, for encouragement getting over their obstacles, for help figuring life out… not that I’ve done that myself, other people are looking for love songs, and then some others just want to rock.”

Nada Surf has confirmed the first leg of a European tour for early next year. Full dates are listed below.

‘You Know Who You Are’ tracklisting:

1. Cold to See Clear
2. Believe You’re Mine
3. Friend Hospital
4. New Bird
5. Out of the Dark
6. Rushing
7. Animal
8. You Know Who You Are
9. Gold Sounds
10. Victory’s Yours

European Tour dates 

31.03. SE Stockholm, Kägelbanan
01.04. NO Oslo, John Dee
03.04. DE Hamburg, Mojo
04.04. DE Cologne, Live Music Hall
05.04. DE Dortmund, FZW
06.04. BE Brussels, Orangerie
07.04. NL Amsterdam, Melkweg
09.04. UK Manchester, Gorilla
10.04. UK Glasgow, King Tuts
11.04. UK London, Electric Ballroom 

12.04. FR Tourcoing, Grand Mix
1304.  FR Besancon, La Rodia Grand Salle
14.04. FR Strassboug, Laiterie
15.04. FR Paris, Gaite Lyrique
17.04. DE Stuttgart, LKA
18.04. DE Berlin, Huxley’s
19.04. DE Nürnberg, Hirsch
20.04. AT Vienna, Wuz
21.04. DE Munich. Muhffathalle
22.04. CH Zürich, Dynamo
24.04. IT Milan, Salumeria Della Muisca
25.04. FR Grenoble Belle Electrique
26.04. FR Feyzin L’Epiceri Moderne
27.04. FR Bordeaux, Krakatoa
28.04. ES Madrid, Barcelo
29.04. ES Galicia, Pontevedra, Theatre
30.04. ES Bilbao, Antxoki

For more information please contact frankie@stereosanctity.co.uk / t. +44 7921 176502.

 

ARTIST OF THE DAY – JAMES KING

London based pop / folk / rock / emo / whatever singer songwriter James King just released his new song called “Neverland” and it sounds as tasty as his earlier track “The Riddle”. I’ve created name for new music genre: Sheeran pop, and James King seems to fit this description. Check it out! http://www.jameskingmusic.net

 

See below the photos from his gig at The Garage in London 13 January 2016 (Photos by Peter Balkus)

 

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